Archive for category Lessons

Learning to read photographs.

The finishing touch.
The finishing touch.
Learning to read pictures. Every picture tells the story of how it was taken. Look for highlights in the eyes or spectral highlights reflected in shiny medal, glass etc. Look for the shadows cast by the light or lights. Is the shadow soft and defused or does it have a hard edge? Look for the shape of any reflections, especially on glass or in the eyes. In this case a large soft box was used directly in front of the model. You can see the rectangular highlight in her eyes and if you look closely at the eyes you will see a light trace of a reflector bouncing light into the lower half of her eyes. Look at the highlight on the brush and the shadow on the hand of the Make Up Artist. Look for the direction of the light and how flat it is or how much contrast there is in the picture. Every photograph will reveal it’s secrets if you just learn to read them.

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Extreme Make Up.

AvatarMask apon mask.

Extreme make up may be fun but apply with caution. Run a test first, if you are using anything even slightly out of the ordinary. In this case there was a Latex layer applied under the sparkles. After the photo shoot when the make up was removed the models skin was red were the mask had covered her face. She wasn’t fit to be seen in public for an hour or two. So do employ caution, when being creative.

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Colour or Black and White?

MasqueradeMasquerade B&W

Time was when you had to decide before you took the picture. Now even if you intend to create a monochrome image with digital photography the place to start is a colour file. You may just find that colour works better after all. You may find that you want both colour and black and white. If you start by shooting everything in colour you have every possible option and you have more control over the final picture. If you convert the picture to monochrome instead of leaving it up to your camera, you get to decide on contrast, brightness, etc.

In Corel Photopaint, split the channels of RGB and just keep the red channel for an infrared look, you’ll get very light skin tones. Or convert to LAB and then split the channels, keep L – O for a more natural skin tone. That is how this black and white was created. In Adobe Photoshop, use convert to black and white. This allows you to adjust the amount of each colour individually, to gain optimal control of you final picture. You may want to punch the contrast up as a finishing touch, just make sure you have kept detail in the highlights and the shadows for whichever media you are going to use for the final presentation.

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A Known Quantity!

Colour Card

 

If you are ever having trouble controlling colour or tone, if you are having problems with white balance, whether in your camera, monitor or from your printer. Introduce a known quantity into the equation. Although this very useful Kodak card is no longer available there are other colour swatches and or gray cards.

I add this card to one of my pictures for any given photo setting and then when it comes to processing the raw files I simply sample the white balance from the gray scale. I can also use the lightest white and the darkest black to set my exposure and black point and even print it out to compare the final print result with the original. This is even more useful for digital photography than it was when I first started using it with film. A simple trick like this could save you hours of frustration.

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Teaching digital photography.

It is always great to learn something new, but it is even better when you have the chance to teach other people and share your knowledge. The other night I presented a workshop at one of the local camera clubs. Good fun and rewarding, for me at least! I’m sure that some people picked up some new ideas or learnt a little more about what is possible with digital photography.

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